This book is defenitely a must-read for any CATS lover. It answers questions such as "Why wasn't the Italian aria in the Original London show," as well as giving insights into the preparation, rehersal and immense effort that was put into the original Broadway production. Also wonderfully written are the relationships between the author and the rest of the cast and production team. This book is a CATS fan's dream!

    Seven Tony Awards. Box office receipts of more than a billion dollars. A Broadway run of nearly 8,000 performances. And yet, if I asked you to name the actors and actresses who became stars because of "Cats," you'd probably be stumped.
   Okay, Broadway buffs, so you recall Betty Buckley, for singing "Memory."
   Next?
  In fact, although this was the ultimate ensemble piece, there was one cat who outshone the others. His name is Stephen Mo Hanan, and in the original Broadway cast, he played Bustopher, Asparagus and Growltiger. "Hanan is fantastic," purred Clive Barnes in the New York Post. And the Times, Wall Street Journal and New Yorker agreed.
    Hanan's had to wait two decades for his next plum role --- this Spring, he stars as Al Jolson in an off-Broadway production --- but he's going to be immortal for a slim little book that he never intended to publish: "A Cat's Diary." Written during the rehearsal period, these nightly entries are l00 pages of delight and insight.
    DisneyWorld has spoiled us --- people disappear into animal costumes and goof around and we find them charming, in a sentimental, how-can-you-not-like-this way. But being a cat in a musical inspired by T.S. Eliot and directed by Trevor Nunn?  Not so easy. Hard physical work, in fact. And that's just the outside preparation --- as Hanan tells it, there's immense psychological inquiry and tons of improvisation.
     Although the diaries tell us a great deal about the technical challenges of mounting this musical, there's a strong human narrative (the march toward opening night) and one heroic figure (Trevor Nunn). Mostly, Nunn stands on the sidelines, watching. When he makes a comment, it's rarely what you'd expect --- before an actress does a song in rehearsal, he asks, "But are you having fun?" And, as it happens, that innocent query opens her up to deliver a terrific performance.
      Hanan, for his part, also serves up terrific little insights: "What is the acting approach? Everyone had an opinion, and I began to understand why it took so long to set up the protocols for the Vietnam peace talks." He doesn't shrink from self-deprecating anecdotes: "Trevor said, 'You've got to look like nothing anyone has ever seen before, which is easy if you're Steve Hanan, but for the rest of us....'" And, boy, does he ever show us how the griity, unglamorous work of acting takes its toll: "I come home so tired I can hardly find my way to bed."
      As the cast becomes an extraordinary performing unit, Hanan --- who is pre-disposed to a lovely hippie-esque spirituality --- doesn't fail to get the larger point. He's amazed at how far he's come, he's constantly on the verge of tears. Trevor Nunn makes the spiritual lesson less overtly. "You must remember what the greatest power in the theater is," he tells the company. "It has nothing to do with sets and special effects. It's what's going on in your minds, and how that affects the minds of the audience."
     Hanan's account of opening night is appropriately triumphant. And, because this actor is as emotional as he is analytical, you'll tear up when it's time for Nunn to leave New York and go on to his next production. Fifteen months later, with a Tony nomination on his resume, Hanan also left "Cats." To the indelible performance he gave during his stint can now be added this slim but potent book. "Cats" lovers will enjoy it. Actors, if they are smart, will turn it into gold.

Thoroughly enjoyable. The pages flew by. You get a real appreciation of how close the company grew, and how grueling the rehersals were. It is amazing how much was done in a relatively short rehersal period. I saw the show and loved it. I do not know if that made difference, but I would think that for anyone interested in the theater, this would be a wonderful book.

Catalan cuisine is ancient. It earliest roots go all the way back to the Romans who occupied northeastern Spain.

It uses many of the same ingredients as other Mediterranean cuisines -- tomatoes, eggplant, garlic, beans, pasta and all kinds of meat -- but it combines them in unexpected ways.

Who would expect salt cod with honey, for example? Catalan cuisine has it, and Colman Andrews presents its recipe here. And who would expect a restaurant which specializes in salt cod? Andrews tells us that Barcelona has one.

He says that one very unusual -- indeed unique -- feature of Catalan cuisine is its habit of mixing olive oil and lard together, in the same dish, as a cooking oil. Catalans also use butter as a cooking fat, making for rich, nourishing, tasty dishes.

Catalonia has both mountains and seashore. So one may find spiny lobster stew (Civet de Llogosta) on the one hand and Andorran-style trout (Truita de Riu Andorrana) on the other.

In Catalan Cuisine, Colman Andrews draws upon the great cooking traditions of Spain's Catalonia region. This superb collection of regional dishes showcases the simple and vibrant flavors in hundreds of Catalonia's best and beloved recipes ranging from Valencian Paella with Shellfish; Eggplant Flan; and Sweet Red Peppers Stuffed with Duck, to Salt Cod with Garlic and Paprika; Pork-Stuffed Apples, and Cinnamon Ice Cream with Warm Strawberry Coulis. The recipes are "kitchen cook friendly" and will turn any family meal into a celebration of taste and delight.

This study of Catalan cuisine provides an in-depth and excellent approach to the foods and customs of the Spanish province. No color photos, but the book is packed with not only recipes, but observations of the culinary traditions which make Catalan cuisine unique. An outstanding reference.

I was suprised that I could understand her poetry. She rights in a way that is easy to understant.

I read it Three times and in many ways realized that she was saying with different words some of the very thoughts, emotions and feelings that inspire me to write. I particularly liked her forward. She explains what she does in very consise terms, terms that I have not been able to explain myself. I'm reduced to tears. Poetry is a wonderful expression of the innermost, the trick is to be able to convey to others so that they understand, the simplest or most complex notions in as few words as possible. She seems to have attained that sensitivity very aptly. I throughly enjoyed this book and look forward to more of her work in the future.

The big surprise in this, Lady Lee Andrew's third anthology, is the original illustrations which she provided to accompany the text. Never have the time worn subjects of life, loss, love and family been so delicately carressed.

I just received this desk calendar, and after looking through it I have decided that this will be my first of many products by Mary Engelbreit that I will be owning. I am very picky with this type of item and there is nothing I don't like. It is beautiful, convenient, and has places for everything. I highly recommend this calendar to anyone.

I have used this day planner for approximately 6 years now - I am ordering another one for my 19 year old daughter now - all 3 of my sisters love theirs! ME is the only way to go!

Mary Engelbreit is known for very colorful projects and this 2002 Calendar is no exception. The front has 2001- 2003 Yearly imprints followed by month-at-a-glance views with Sidebars for special notes and thoughts. The middle of this spiral-bound edition has week-at-a-glance views with PLENTY of space for daily notes. What sets this calendar apart from the others, in my opinion (and I am a planning freak!)are the sidebars that go along with the weekly views. At the beginning of every week you will see the current month's calendar with space for "Need To Do", "Want To Do" and a classic quote (one per week). Monthly "future planning views" with generous writing space are included towards the end of the year (up to 2004, along with Holidays, space for Birthdays and Anniversaries, Names and Addresses, and Websites to remember. An added bonus is the splattering of beautiful ME prints throughout.

All in all this is a beautifully illustrated and very practical calendar that is designed to accommodate the busiest of lifestyles.

Five Stars.

If you've seen the Webber musical, this book will provide great memories. Rich photos and artwork, premium stock paper, all the lyrics and scenes. Great gift for fans of Webber! Contains pull-out poster.

Why is this book out of print? It's really quite good. It gives a great look at the hard work that is put into a show before, during, and after each performance. I got it after years of searching in a used bookstore. It's really worth the hunt if you want it. It comes complete with a nice poster and there's a picture of a young Michael Ball with a rat tail. How can you lose?

This book has oodles of photographs and information about the musical. It is very well researched, and includes information about David Garnett, the history of the time period of the musical, and of course Andrew Lloyd Webber's writing the musical.

If you want to learn about history it is best to read the reflections, diaries and memoirs of those who lived it. Samuel H. Sprott, 40th Alabama Infantry, Army of Tennessee, wrote his memoir 34 years after the War Between The States for a now defunct southern newspaper. This memoir was recently discovered tucked away in county probate records and probably not studied by historians for details about the W.B.T.S. in the deep South.
Sprott, tells the story of the 40th Alabama Infantry, Stone's Battalion and Ector's Brigade. I was especially interested in information about General Ector and his brigade as little is written about this unit especially at the battle of Chickamauga. He will educate you about the everyday life of the Confederate soldier in the Army of Tennessee. His and fellow comrade's trials and jubilations are all there.
The editors do a fine job coordinating Sprott's manuscript, filling in his thoughts and corroborating historical evidence.
Highly Recommended!

Any Civil War buff will find Dr. Louis Smith's "Cush" to be an outstanding addition to his/her personal library. It is an account that brings countless historical facts that will enrich that library in terms of the military engagements fought by Samuel Sprott and his men. But there is more to this work than the simple regurgitation of historical fact -- this is a book that reflects the struggles and privations of the everyday Civil War soldier as he endured the reality of his world: rotten weather, whizzing minnie balls, the deaths of his comrades. "Cush" is a look at the humanity behind the facts. It puts the reader in the Civil War -- fighting next to Sprott and his compatriots.

As a high school US History teacher, I have found that it is books such as "Cush" that makes history come alive to students. They can feel the emotion with which Sprott's story is told. And, because it is a primary source - straight from the "horse's mouth", it has much more credibility to it than the facts they can glean from their text books.

Dr. Smith has done a marvelous job of editing Sprott's papers. The work was no doubt tedious but at the same time must have been intensely rewarding when it was finished. After reading the book, I have come to feel like I knew Samuel Sprott on a personal basis!

This is an excellent primary source for a soldier's eye view of the daily experinece of the civil war. Unembelished with romantic bravado or the mythology of causes, Captain Samuel Sprott's journal of the experiences of the 40th Alabama regiment presents the reality of war for the common soldier- general bordome and petty detail alongside short episodes of battle, tragedy, and confusion. Smith and Quist do an excellent job of providing essential supporting information in the preface and appendix while avoiding the temptation to intrude upon Sprott's narrations. The book should be a hit in the classroom as a primary document that is brief, easy to read, and relatively inexpensive. For the same reasons it is recommended to the general reader.

A friend gave me a copy of this book, as I was looking for some poetry to set to music. I was inspired by the Barbara Stoller Miller translation of the Gita Govinda, pub by Columbia Univ., and my friend thought that this book pushed the envelope just a litte bit further.

The forward and introduction are very informative and make this centuries old poetry come alive in a relevant and contemporary way. The poems themselves are very, very old and Schelling's translations make them shimmer with life. If you've ever researched or read other translations of Sanskrit poetry, you will be thrilled with these translations.

As it turns out, I've received permission to use three of the poems in the book to set to music (in their original Sanskrit language).

This book offer a potent and eggshell fragile look at the range of emotions relating to love, romance and romantic longing.

Highly recommended.

This is a wonderful little book of poetry. The poems of love, physical intimacy, desire, melancholy, longing and rejection in this collection date back over a millennia. A thousand years make these poem as poignant as ever. The poems in this collection are fleeting intimate glimpes into who we are as humans.

This is beautiful poetry from ancient India. It is rich and sensual, evocative and erotic, and not always in the overtly sexual way of the Kama Sutra. It engages life, society, and importantly, nature in all its lost beauty in India, the fragrant jasmine vines, the kadamba and ankota tree, the thunderstorm that releases a sudden coolness on a warm summer evening, the white cranes that cross the darkening sky. Then there is the secret rendezvous, the furtive gesture, the passionate love-making, the loss of youth, the immortal desire for fulfillment, the traveller and his betrayals, the gods engaged in their own love-making, Shiva and Parvati as the divine couple. These are timeless themes made more poignant by our desire for them today.

It was hard to choose how many stars this library worths. It includes 3 completly different books. The Caslow book is absolutly perfect. It's a very good tutorial, probably the best I know. I passed real written test and even I couldn't find answers to some questions from the test in this book, if you want to read just one book and get the maximum information - that's it! You might be not able to answer all questions, but I believe it gives you enough information to pass.

But two other books are completly different. First of all, they are not about cisco. It's just a general theory, a lot of packet structure diagrams and protocol description. Language sometimes is very dull and dry. Many topics, especially in the ATM book are beyond the scope of CCIE exam. Routing book contains a lot of interesting information about routing history, current problems and possible ways of future improvements. Probably, these books are interested to some readers, but it's not the best choice for CCIE preparation.

I put 4 stars just because Caslow book is so good that it makes whole library useful too. But I'd strongly recommend to buy this one book only and spend the rest of money to some other tutorials.

Prentice Hall is fast becoming a name in the IT publishing world for producing material and books that will help everyone obtain just about any certification and the CCIE Resource Library 2001 edition is one set of books that should make passing the exam easier.

The three-book set is comprised of material starting with Book 1 - Routing in the Internet. Over 370 pages covering topics like the Internet and the architecture of the Internet. Also IP v4 and v6 are discussed and compared and then you begin to delve into the routing protocols, both interior and exterior.

The book finishes up with new ideas such as multicasting and overall seems to layout the Internet in fairly easy language. Book 2 - Voice over IP is new to the set and is written by Uyless Black. Black starts this excellent book off with an overview of telephony and the Internet.

Also covered is DSPs, Voice coders, DSL, modems, PPP, the role of the ISP, performance issues, VoIP Protocols, Voice alternatives and ISDN. Black is very good at breaking down the subject matter and making sure the reader can understand the concepts.

Finally comes book 3 - Cisco Certification: Bridges, Routers and Switches for CCIEs 2nd Edition, written by 2 well-respected CCIEs and authors. Over 900 pages broken down into six parts, part one is the configuration of the hardware.

Part 2 is breakdown of IP and the configurations of the routing protocols like RIP, OSPF, IGRP, EIGRP and BGP. Part 3 deals with non-ip routing, part 4 is bridging and part 5 is for management. Overall the entire collection is some of the best technical material I have seen so far.

One of the toughest, if not the toughest certification to get is CCIE. That's why it's very important to make sure that the books you use are the best out there. Prentice Hall has put together the only CCIE Library I have seen.

In book 1 of the 3 - ATM Volume III - the entire world of ATM is taken apart and dissected for you. Encapsulation, frame relay, DXI and FNNI, LNNI and ARP, multiprotocols over ATM are but a few of the topics discussed in great detail. In the second book - Routing in the Internet 2nd Edition - the book is broken down into 4 parts. Part1 discusses IP and associated protocols including IP V.6. Part 2 takes a look at the interior routing protocols like RIP and OSPF, it does breakdown both RRIP1 and RIP2.

Part 3 is the exterior protocols like BGP and CIDR. Finally in part 4 you have explanations of new developments in multicasting and mobile hosting. The book is well written and well documented and the author really gives a complete look at the internet and how routing is used.

The final book - Cisco Certification - Bridges, Routers and Switches for CCIE is written by Andrew Bruce Caslow a CCIE himself. Caslow has written several other book on the CCNA certification and as with the other books this is an excellent reference manual.

The advanced routing techniques like ISDN and DDR as well as excellent coverage of the Catalyst 5000 switch are some the topics Caslow goes over is this book. Caslow also sheds light on ATM and extensive detail on IP Addressing and routing.

Protocols like RIP, IGRP, EIRGP and OSPF as with non-IP routing protocols AppleTalk, DECNET and IPX are broken down for you. Caslow's knowledge of bridging, which includes source route, transparent and translation is nothing short of tremendous.

Caslow's book has sample scenarios, about the only thing it doesn't do it take the test for you. Prentice Hall has a great number of book on computers and networking and you should checkout their website today. Overall this book can be used as a handy reference manual and a study guide for Cisco tests. The price is small in comparison to what you get.

America had become the typical chosen destination of immigrants for its image of a land of plenty, a non-stratified society, and its democracy. This ideal of allowing immigrants to take advantage of these opportunities regardless of their ethnicity ended with the Chinese Exclusion Act of 1882. The rationalization for this law was first hypothesized by Mary Coolidge on the basis of California racist atmosphere and political pull in Washington. Later it was suggested by Stuart Miller that it was workers that encouraged Chinese exclusion. Gyory suggests neither one of these theses are correct, but the catalyst for the prohibition of Chinese immigration was national politicians who seized and manipulated the issue in an effort to gain votes, while arguing that workers had long demanded Chinese exclusion and would benefit from it. Gyory's main intention was to exonerate the workingman as being the contingency that caused the Chinese exclusion. This is stated by including union newspapers and labor proceedings stating their opposition to imported contract labor, but not exclusion. The emergence of a nation-wide railroad strike bared the clear social divisions of the Gilded Age. Demanding 'bread or blood,' railroad workers instigated speculation of a possible social revolution and the first red scare of a communist putsch. Upon the perceived anti-Chinese rhetoric and Dennis Kearney's urging Chinese exclusion, politicians were prompted to pick a non-ideological issue to appease these workers' demands. This study does demonstrate a new perspective on the instruments that enacted the Chinese Exclusion Act, but fails to give evidence why the masses accepted the politician's racist platforms.

Andrew Gyory has done justice toward the issue of Chinese exclusion during the nineteenth century. Out of the numerous books that have discussed Chinese immgration and exclusion, his examination covered most of the bases. He basically presented both sides of the issue both pro and con, and no doubt, there existed much evidence on the con side of the Chinese immigration issue.

Basically, Gyory did not debunk passed theories that argued that race had been a factor in excluding the Chinese. He merely restated the two theories and linked them into the equation of how national politicians elevated exclusion in order to win votes for the presidential race and for the state of California. There had been much political mudslinging and second-guessing on the part of the many representatives that had supported Chinese immigration, and it had been unfortunate that in the end;they played the race card, and I don't mean presidential race, but rather racial discrimination for one particular ethnic group.

CLOSING THE GATE is a must read for anyone who wants to understand immigration, especially immigration that existed during the nineteenth century that focused on the Pacific coast. This book offers another dimension and perception of how politics had granted the right to a particular person, but at the same time, took it away.

This is the hot new book on the Chinese Exclusion Act. Dare I spoil the plot? Previous literature on the act falls under (1) the California thesis (proposed first by Coolidge in 1909), and (2) the national racist thesis (which includes famous labor theorists like David Roediger and Gwendolyn Mink). Gyory suggests the California thesis is correct, but it needs to be pitched differently: the Republican party becomes a mere electoral apparatus (after abolitionism) and uses the Chinese question to win over the west, rather than chosing a more controversial issue. The reason why I like this book: This was the heyday of courts and parties--he's right and easy to read.

If the famous altarpiece of Hieronymous Bosch , similarly titled the Garden of Earthly Delights, could become words, those words would probably read much like Reinaldo Arenas' last volume. As with any fine writer (and make no bones about it, Arenas is one of the best of the Latin writers), the act of drawing an audience into a book is part enjoyment but also part labor. Plan on working to catch all the subtle metaphors and references as well as the obvious in-your-face slapstick that flows continously from these pages.

Arenas' bifurcated feelings about his native Cuba are well know to the readers of his other novels: Cuba he adores - Castro he loathes. And as the author was dying from AIDS in the US he was able to concentrate all of his ambiguous responses to his native homeland into a grand guignol carnival Farewell Party. The precis for the story is the preparation for the celebration of Fifo's (thinly disguised name for Fidel Castro) "50th" anniversary of dictatorship. Arenas very cleverly separates his personality into three faces - Gabriel, Reinaldo, and Skunk in a Funk - in order to give us the many facets of view of living in Cuba now and before Castro. His characters are hilariously drawn campy creatures in an endless pursuit of earthly delights (aka gay sex) and if the interchange of gender pronouns (him/her) at times gets a bit overused, the premise is sound and keeps the stew bubbling. Even the atrocities attributed to "Fifo" are handled in sure polished slapstick that we are drawn more to laughter than to loathing. Cuba is finally liberated by being separated from its mooring to the sea floor to float out blissfully toward Europe..or....

Arenas was a brilliant writer who died too young, but as this final translation of his output proves, his was a significant voice not only as a gay writer, but as a revolutionary thinker under the duress of loss of freedom that still plagues Cuba. Highly recommended book....just plan to work some and to take your time.......

Wow! I just finished reading "The Color Of Summer" by the late Cuban writer Reinaldo Arenas--and what a challenge it is for me to describe or assess this extraordinary work of fiction. It seems to be a hybrid of memoir, satire, and wild, hallucinatory magical realism. Maybe I should de-emphasize the term "realism." Historical events are exaggerated or transmogrified by the author--often with hilarious and irreverent results. The relentless pursuit of pleasure is constantly at odds with the pursuit of power. In one chapter entitled "The Garden Of Computers" Arenas brilliantly satirizes the bureaucracy of informants. "...denunciations, backstabbings, and betrayals of friendship were the nourishment the machines lived on." This is as brilliant as anything Dickens ever wrote about corrupt institutions. Other authors that came to mind as I read "The Color Of Summer" were Gabriel Garcia-Marquez, William Burroughs and, especially, Salman Rushdie. The amazing word-play in this book(in which 30 tongue twisters are interspersed)is delightful. Credit for this must surely be shared by the English translator Andrew Hurley. Sex(especially gay sex)is an obsession with most of the characters in this book-including the central tyrant Fifo(Castro). This is not a book for the timid or prudish. However, underneath it all there is a powerful affimation of the human spirit. Arenas expresses profound sadness, frustration, and anger--which cuts right through all the raucous humor. But, more than that, he imparts a sense of real joy through his characters' acts of defiance and creativity. I thoroughly recommend this book. A masterpiece.

The translation of this work is amazing - no way would you know that this delightful queen, Arenas, didn't originally write this in wickedly idiomatic English. He had to write this story, what?, seven times? It was confiscated, stolen, and lost over and over. And he re-wrote it over and over, until he could escape to freedom and finally see it in print. The story is a scream of queer humor atop the most tragic background of brutal state repression. Yet, in a way that only imprisoned Cubans seem to know how to do, his pride and dignity survive.